{"id":2,"date":"2014-04-16T18:52:29","date_gmt":"2014-04-16T18:52:29","guid":{"rendered":"http:\/\/s198833962.onlinehome.us\/julesmccue\/?page_id=2"},"modified":"2025-06-24T07:13:01","modified_gmt":"2025-06-24T07:13:01","slug":"sample-page","status":"publish","type":"page","link":"http:\/\/julesmccue.com\/","title":{"rendered":"About"},"content":{"rendered":"\n

See below link to film trailer: Marfa Texas: The Hairy Man from the East<\/em> – made 2012.<\/p>\n\n\n\n

https:\/\/www.google.com.au\/search?q=jules+mccue+marfa&ie=UTF-8&oe=UTF-8&hl=en-au&client=safari#fpstate=ive&vld=cid:177506a4,vid:WFtryvTahwc,st:0<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

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http:\/\/www.annemccue.com<\/a> [See music, upcoming shows and video clips]<\/p>\n\n\n\n

<\/p>\n\n\n\n

RECENT WORK<\/strong> – Lake Walk paintings [Illawarra] and Industrial Bodies – Port Kembla –  2017 – 18 – exhibition at The Village, 160 Shellharbour Road Port Kembla from 30th November till 14th December 2018.<\/p>\n\n\n\n

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Industrial Bodies<\/em> – Port Kembla 2017<\/figcaption><\/figure>\n\n\n\n
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Morning Lake 3<\/em>, 2018 -Lake Illawarra<\/figcaption><\/figure>\n\n\n\n

                                                      <\/p>\n\n\n\n

LATEST NEWS:<\/p>\n\n\n\n

I have been shortlisted for the 2019 Len Fox Painting Award at the Castlemaine Art Museum in Victoria. Out of 190 entries, 50 were selected. My entry is “Exotica in Her Finery at the Lake.”<\/p>\n\n\n\n

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Exotica in All Her Finery at the Lake.<\/em> 2018-19<\/figcaption><\/figure>\n\n\n\n

I am taking part in a group exhibition, to be held as the inaugural show at “The Village” art and crafts space in Port Kembla. My work will be a selection from the series: Industrial Bodies: Port Kembla <\/em> and Glimpses of Lake Illawarra. <\/em>[2017 – 18]<\/p>\n\n\n\n

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MacDonnell Family Home Kilygola Monaghan  2014<\/figcaption><\/figure>\n\n\n\n

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\"EPSON
Joyce family home at Clare Galway, Ireland, 1977<\/figcaption><\/figure>\n\n\n\n

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\"OLYMPUS<\/figure>\n\n\n\n

 Sailing into Storm Bay from the d’Entrecasteaux Channel near Denne’s Point North Bruny Island, Tasmania 2006  <\/a> <\/a><\/p>\n\n\n\n

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Lithographic Planer Study 1<\/em> Art School 1979<\/figcaption><\/figure>\n\n\n\n

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Jervis Bay Planar Study<\/em> 1980<\/figcaption><\/figure>\n\n\n\n

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\"\"Lithographic Planar Study<\/em> 2 Art School 1979 [After Paul Klee] <\/a><\/p>\n\n\n\n

\"\"<\/a> Point Perpendicular Jervis Bay<\/em> 1984<\/p>\n\n\n\n

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4th Year Art School Planar Studies<\/em> in Perspective<\/em> 1979<\/figcaption><\/figure>\n\n\n\n

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Self<\/em> Portrait<\/em> 1985<\/figcaption><\/figure>\n\n\n\n

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Robe<\/em> South Australia 1987 <\/figcaption><\/figure>\n\n\n\n
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Song for Keven<\/em> The Blue Lake Mt Gambier 1987<\/figcaption><\/figure>\n\n\n\n

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Detail Dance of the Reed<\/em>s 1987   [Cawdor]<\/figcaption><\/figure>\n\n\n\n

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Wonderful Water<\/em> 1986 [Cawdor]<\/figcaption><\/figure>\n\n\n\n

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Rock Pool<\/em> 1987  [Jervis Bay] <\/figcaption><\/figure>\n\n\n\n
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Pods in a Watery Phosphor  <\/em>1987<\/figcaption><\/figure>\n\n\n\n

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\"Jervis<\/a>
Jervis Bay Abstract 1989<\/em><\/figcaption><\/figure>\n\n\n\n
\"The
 The Smallest Spiral Holds the History<\/em> 1994<\/figcaption><\/figure>\n\n\n\n

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Jewels in Memory of Louise Moillon<\/em> 1993<\/figcaption><\/figure>\n\n\n\n

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First little home at Picton 1995<\/figcaption><\/figure>\n\n\n\n
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Second Home in Picton: Redbank Chapel 2003<\/a><\/figcaption><\/figure>\n\n\n\n

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\"Picton<\/a>
Thirlmere Way<\/em> Picton tunnel 1992<\/figcaption><\/figure>\n\n\n\n

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\"9.
Marfar Texas Series: Durbar<\/em> 2011-13<\/figcaption><\/figure>\n\n\n\n

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Landing back at my Bruny Island shack, Denne’s Point. 2006 [Photo Jill Burrett]<\/figcaption><\/figure>\n\n\n\n

The Shack I designed and built “Karinya”<\/p>\n\n\n\n

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  Forgive <\/em>     Bruny Boat Shed 2009<\/figcaption><\/figure>\n\n\n\n

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The shack I built at Denne’s Point Bruny Island [2004 – 2011]<\/figcaption><\/figure>\n\n\n\n

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Ancient Boat Shed Nebraska Beach,  Bruny Island<\/figcaption><\/figure>\n\n\n\n

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\"the<\/a>
Bruny Island Boat Shed Canary 2006-10<\/em>   <\/figcaption><\/figure>\n\n\n\n

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\"Old
Jervis Bay Abstract<\/em> 1980<\/figcaption><\/figure>\n\n\n\n

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\"Lurking
 Lurking Sky and Little Creatures<\/em> 1986<\/figcaption><\/figure>\n\n\n\n
\"Lake<\/a>
Autumn Lake  <\/em>2016 – Lake Illawarra<\/figcaption><\/figure>\n\n\n\n

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\"DSC00233\"<\/a>
Shed Assemblage 2012 [Bruny Island Boat Sheds]<\/figcaption><\/figure>\n\n\n\n

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        \"Pimpinella\"         <\/p>\n\n\n\n

       Pimpinella<\/em>     2009-2010  [Bruny Boat Sheds]<\/p>\n\n\n\n

\"wcg.2015.-6095.Preview.\"<\/a>New Work: Celtic Studies  2012-  \"Gaelic<\/p>\n\n\n\n

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Devotion<\/em><\/figcaption><\/figure>\n\n\n\n
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St Bede’s New Town 2015<\/figcaption><\/figure>\n\n\n\n

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Church stage converted at St Bede’s 2014<\/figcaption><\/figure>\n\n\n\n

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The studio\/hall at St Bede’s New Town<\/figcaption><\/figure>\n\n\n\n

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Converted church St Bede’s New Town 2014<\/figcaption><\/figure>\n\n\n\n

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\"DSC00786\"<\/a>
Church Stage at St Bede’s  Hobart<\/figcaption><\/figure>\n\n\n\n

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Studio at St Bede’s            2013<\/figcaption><\/figure>\n\n\n\n

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My new home in the Illawarra 2016<\/p>\n\n\n\n

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Home Sweet Home<\/figcaption><\/figure>\n\n\n\n
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Industrial Bodies<\/em> [latest work]   2017-2018<\/figcaption><\/figure>\n\n\n\n

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\"\" Illawarra Studio  2018<\/span><\/a><\/p>\n\n\n\n

\"\"   Honk Oz Gong Street Music Festival 2019 <\/span><\/a><\/p>\n\n\n\n

 <\/span>   <\/a>\"\"Folk in the Field Music Weekend Coolangatta Shoalhaven 2018<\/span><\/a><\/p>\n\n\n\n

\"\" Klezmer Valley Girls performance at Wollongong Art Gallery<\/span><\/a><\/p>\n\n\n\n

EXHIBITIONS, PUBLICATIONS, MUSIC AND OTHER PROJECTS<\/strong><\/p>\n\n\n\n

2025 Killalea Strings conducted by Adrian Davis<\/p>\n\n\n\n

2019 -24\u00a0 Playing cello in the Five Islands String Orchestra, a Wollongong Conservatorium community ensemble directed and conducted by Adrian Davis, senior viola player in the Steel City Strings.<\/p>\n\n\n\n

2020-21    Continue to play cello in the Klezmer Valley ensemble.<\/p>\n\n\n\n

2016 -25\u00a0 Continue to play cello in Shoalhaven Heads music ensemble “Filigree” of South Coast NSW.<\/p>\n\n\n\n

2020          Exhibited in Group Show at Project Gallery Wollongong<\/p>\n\n\n\n

2019         Shortlisted for finalist’s exhibition in “Flow” contemporary water based painting prize at Wollongong Art Gallery.<\/p>\n\n\n\n

2019<\/strong>          Shortlisted for finalist’s exhibition in the Len Fox Painting Award<\/strong> at the Castlemaine Art Museum, Victoria.<\/p>\n\n\n\n

2018 <\/strong>         Group exhibition at “The Village” Port Kembla. Exhibited the “Industrial Bodies<\/strong>” and “Glimpses of Lake Illawarra<\/strong>” series.<\/p>\n\n\n\n

2018 <\/strong>          Finalist in The Eutick Memorial Still Life Award Exhibition<\/strong>. The finalist show held at Project                                               Contemporary Artspace, Wollongong, 9th November till 1st December.<\/p>\n\n\n\n

2018<\/strong>             Exhibiting in “All on Board” Wollongong and local artist’s exhibition at the Wollongong Art Gallery from 3rd November 2018 till 10th February                             <\/p>\n\n\n\n

2018 <\/strong>                 Finalist in the Kangaroo Valley Art Prize<\/strong> September 29th till October 1st.<\/p>\n\n\n\n

2017 – 18<\/strong>           Joined the Bluegrass Session and the Wind and Strings ensemble at the Jamberoo Soundspac<\/strong>e. Joined                            a fledgling Klezmer ensemble at Wollongong – the Bisl Goylish Klezmer Group.<\/p>\n\n\n\n

2016 -19 <\/strong>    Working on the Lake Walks<\/em> <\/strong>series, paintings and assemblages: the Celtic<\/em> Series: and the Industrial Bodies<\/em> series, based on the Port Kembla industrial and marine environment.<\/p>\n\n\n\n

2017<\/strong> –    Writing a huge book based on the history of Irish families in Ireland and Australia.<\/p>\n\n\n\n

2017        Joined the Curious Rendition Orchestra Wollongong [CROw]<\/strong> operating through the Conservatorium  of Music Community Orchestras.<\/p>\n\n\n\n

2016<\/strong>      Autumn Lake<\/strong><\/em>   [Lake Illawarra],<\/strong><\/em> Finalist Wollongong Contemporary Water Colour Art Prize – Wollongong City Art Gallery.<\/p>\n\n\n\n

2014   <\/strong>  September till October- six weeks research and travel from the west of Scotland<\/strong> across to Ireland<\/strong> and through Ireland.<\/p>\n\n\n\n

2014 <\/strong>          Marfa: Texas<\/strong>,<\/em> exhibition of paintings and film Sydney. March \u2013 April. [Showing accompanying film [“The Hairy Man from<\/strong> the East”]<\/strong><\/p>\n\n\n\n

2013           CAST <\/strong>member’s exhibition. Hobart, Tasmania.<\/strong><\/p>\n\n\n\n

2010 <\/strong>         Solo Exhibition Salamanca Side Space Gallery, Hobart<\/strong>: Bruny Island Boat Sheds: None but the lonely heart and other songs<\/strong><\/em><\/p>\n\n\n\n

2009<\/strong>          Finalist in Hobart Art Prize <\/strong>at Tasmanian Museum and Art Gallery<\/strong>, Drawing, graphite, ink and charcoal on paper.<\/p>\n\n\n\n

2010  <\/strong>        Exhibited drawings at The Point<\/strong>, Dennne’s Point, Bruny Island.<\/p>\n\n\n\n

2004-2006<\/strong>     Designed and built shack\/studio<\/strong> North Bruny Island, in the vernacular style of “Tasmanian Shacks”<\/p>\n\n\n\n

2005<\/strong>               Cast Gallery<\/strong> member\u2019s exhibition, Hobart.<\/p>\n\n\n\n

2003<\/strong>               Group Show at Mt Annan Royal Botanical Gardens \u2013 The Evolution<\/em> Series<\/strong>.<\/p>\n\n\n\n

1997 <\/strong>      Exhibited in the Celebrating 25<\/em> years<\/em><\/strong> at The Bell Gallery<\/strong>, Berrima, NSW.<\/p>\n\n\n\n

1996<\/strong>       Finalist James Kiwi Watercolour Prize<\/em><\/strong> at the Wollongong City Gallery. Group exhibition 11th<\/sup> Birthday Show, presents of mind<\/em><\/strong>, at Access <\/strong>Contemporary Art Gallery, Redfern, Sydney.<\/p>\n\n\n\n

1996<\/strong>       Solo exhibition Arrangements: Earthed and Floating<\/em><\/strong> at Access<\/strong> Contemporary Art Gallery, Sydney. Exhibited in  Candid<\/em><\/strong> group exhibition by Wollondilly artists at the Campbelltown Bicentennial Art Gallery.<\/strong><\/p>\n\n\n\n

1995<\/strong>     In Rare Finds<\/em><\/strong> group exhibition by five regional artists at the Southern Highlands Regional Art Gallery<\/strong> at Mossvale. Solo exhibition silent poems to be read by the eye: Romans<\/em><\/strong>, R\u00e9alti\u00e9s, R\u00eaves<\/em><\/strong> at the Alliance Fran\u00e7aise<\/strong> Gallery in Canberra.<\/p>\n\n\n\n

1995     September to December – scholarship to study pedagogical techniques for teaching French as another language in Australia, at the University of Jean Monnet in St Etienne, France.<\/strong><\/p>\n\n\n\n

1994<\/strong>     Solo exhibition Pretty Still<\/em><\/strong>.  Master Creative Arts: Major Presentation at Access<\/strong> Contemporary Art Gallery in Sydney.<\/p>\n\n\n\n

1994 <\/strong> Finalist in Drawing on the Illawarra<\/em>.<\/strong>  The Long<\/strong> Gallery, University of Wollongong<\/strong>.<\/p>\n\n\n\n

1993<\/strong>     Solo exhibition: The Picton Paintings<\/em> <\/strong>at Tapas D\u2019espana at Darlinghurst.<\/p>\n\n\n\n

1988<\/strong>      Solo exhibition Rock Pools<\/em><\/strong> at Brookfield House Gallery, Camden.<\/p>\n\n\n\n

1987 <\/strong>      Solo exhibition Reed Songs<\/em> <\/strong>at Brookfield House Gallery, Camden<\/p>\n\n\n\n

1987-92<\/strong>   Finalist in the St Gregory\u2019s Art Prize<\/strong>:<\/p>\n\n\n\n

1988 <\/strong>      Represented in the University of Western Sydney<\/strong> collection.<\/p>\n\n\n\n

1985 <\/strong>      Solo exhibition Jervis Bay and Still Life <\/strong> at The Barn Gallery<\/strong> and Brookfield Gallery<\/strong>, Camden.<\/p>\n\n\n\n

1980  <\/strong>     Finalist in the NSW Travelling Art Scholarship Prize<\/strong> at the Blaxland Gallery, Myers Sydney. Finalist in The           Wollongong Art<\/strong> Purchase Prize<\/strong>, Wollongong City Gallery.<\/p>\n\n\n\n

1979 <\/strong>       Group Show Minimalist \/ Constructivist<\/strong> paintings at the Argillion Gallery, Camden.<\/p>\n\n\n\n

CONFERENCE PAPERS<\/strong> AND ESSAYS<\/p>\n\n\n\n

2021 Cadastrophe and Circumjacency<\/strong>:<\/em> a glimpse into the role of mythology in Irish culture and colonial history.<\/p>\n\n\n\n

2019  Kathleen and Kitty<\/em>:<\/strong> Two women, one a painter, the other a composer and pianist, both born in the late nineteenth century, both with strong connections to Ireland.<\/p>\n\n\n\n

1994<\/strong>   Not Surrealism: Magical Realism<\/em>,<\/strong> Post Graduate Conference, University of Wollongong: a discourse explaining the relationship between my Master of<\/strong> Creative Arts\u2019<\/strong> painting presentation Pretty Still<\/strong> and the essays, Part.1.Wild<\/em><\/strong> <\/strong>       <\/em> Flowers<\/strong><\/em> <\/strong> and White Porcelain<\/strong><\/em> and Part.2.Circles<\/em> and Seeds<\/em>.<\/p>\n\n\n\n

COMMISSIONS AND REPRESENTATIONS<\/strong><\/p>\n\n\n\n

 Represented in private\/ corporate collections in Australia and internationally.<\/p>\n\n\n\n

WRITING AND PUBLISHING<\/strong><\/p>\n\n\n\n

2025 Review of the book “The Two Brigids” by Philip Freeman.
<\/p>\n\n\n\n

2025 Essay about the life and work of Marion Mahony Griffin, associate and wife of Walter Burley Griffin.<\/p>\n\n\n\n

2023 Essay “The Poetry of Eamonn Wall”, poet \/professor in Missouri from Wexford Ireland.<\/p>\n\n\n\n

2023 Review Essay: Saint Manchan’s Shrine<\/strong>: a Monograph produced in County Offaly, Ireland.<\/p>\n\n\n\n

2021   ESSAY: From Cork to Coalcliff: Finding Richard Coady <\/em>[2016]<\/strong> – published in the Journal of Local History Societies: Conascao nasCumann Staire Aitiula <\/em>[Ireland]<\/p>\n\n\n\n

2017 <\/strong> COMMISSIONED ESSAY: <\/span>“Behind the Scenes”; The Life. Art, Design and Community Work of Robert Bell<\/strong> – included in the Australian National Gallery Research Library. <\/em><\/p>\n\n\n\n

2017 <\/strong>  ESSAY: From Cork to Coalcliff: Finding Richard Coady <\/em>[2016]<\/strong> – published on the Illawarra Historical Society website<\/p>\n\n\n\n

2010- 11     Completed art critique articles for “Tasmanian Life”<\/strong> publication: Dean Stevensen<\/strong>, Composer ,Musician, Song Writer; Rebecca Coote<\/strong> light artist; Allen Mansell<\/strong>, Indigenous Tasmanian artist. [and online]<\/p>\n\n\n\n

2010     Article written about my work by Claire Andrews about my Bruny Island exhibition in “Tasmanian Life”<\/strong> magazine publication and online.<\/p>\n\n\n\n

2008 <\/strong>    Winner of a writing competition held by the ABC in Tasmania. The prize being free entry into a selection of events for “Ten Days on the Island”, and a commitment to write critiques which were published on the ABC website.<\/p>\n\n\n\n

2006<\/strong>     Completed the essay The Nature of Things <\/em><\/strong>a critique of the woodblock prints of Michael Schlitz at the Bett Gallery North Hobart.<\/p>\n\n\n\n

1996<\/strong>      Painting Amazing Ordinary Things <\/em><\/strong>from solo exhibition Arrangements Earthed and Floating <\/em><\/strong>published in Images 3<\/em>,<\/strong>  presenting contemporary Australian artists, edited by Neville Drury, Craftsman House, Australia. Biographical cuttings: National Library of Australia collection. Australian Art and Artist\u2019s files: World Catalogue.<\/p>\n\n\n\n

1995 <\/strong>  Article in Australian Country Style, Small Objects,<\/em><\/strong>a discussion of my paintings and Masters\u2019 discourse, written by   Annabel Frost, June edition.<\/p>\n\n\n\n

1995<\/strong>    Represented in the Who\u2019s Who of Australian Visual Artists<\/em>,<\/strong> DW Thorpe in association with NAVA.<\/p>\n\n\n\n

1995 <\/strong>   Essay commission for Peter Wilson\u2019s exhibition, Orange Regional Art Gallery, Earthworks: Fire and Earth: From the Belly of a<\/em> Pot-maker<\/em>.<\/strong> Jules McCue:<\/p>\n\n\n\n

1998<\/strong>  Newspaper reviews published, Extraordinary Exhibition: Holy<\/em><\/strong> Threads<\/em>,<\/strong> an exhibition of Lao textiles and the art of Savandhary Vongpoothorn at the Campbelltown Regional Gallery and Black Man in a White Man\u2019s World<\/em>, an                exhibition by indigenous inmates from N.S.W. jails.<\/strong><\/p>\n\n\n\n

2006 <\/strong>  Essay<\/strong> on woodcut prints of Michael Schlitz The Nature of Things<\/em><\/strong> published on the Bett Gallery<\/strong> website.<\/p>\n\n\n\n

2007<\/strong>   Local Tasmanian ABC radio: reviewed various shows in the Ten Days on the<\/em> Island<\/strong> <\/em>events program. Two reviews published on the  ABC website.<\/p>\n\n\n\n

2011<\/strong>    Article Tasmanian Life Magazine: Jules McCue : <\/em><\/strong>Artist, Thinker, Lover of History<\/em><\/strong>.<\/em><\/p>\n\n\n\n

2011<\/strong>    Wrote articles for Tasmanian Life Magazine: Light and Space:<\/em> artist <\/strong>Rebecca Coote and Dean Stevenson:              Composer, Songwriter, Performer.<\/strong><\/p>\n\n\n\n

2012 <\/strong>  Wrote article for Tasmanian Life Magazine: Allan Mansell: The Creation of Visual<\/em><\/strong> Stories<\/em><\/strong><\/p>\n\n\n\n

2016<\/strong>   Commissioned essay “Behind the Scenes”; The Life. Art, Design and Community Work of Robert Bell. – also to write and design on her website: www.robertabell.com.au<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

See below link to film trailer: Marfa Texas: The Hairy Man from the East – made 2012. https:\/\/www.google.com.au\/search?q=jules+mccue+marfa&ie=UTF-8&oe=UTF-8&hl=en-au&client=safari#fpstate=ive&vld=cid:177506a4,vid:WFtryvTahwc,st:0 http:\/\/www.annemccue.com [See music, upcoming shows and video clips] RECENT WORK – Lake Walk paintings [Illawarra] and Industrial Bodies – Port Kembla –  2017 – 18 – exhibition at The Village, 160 Shellharbour Road Port Kembla from 30th […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry","content-columns-1"],"_links":{"self":[{"href":"http:\/\/julesmccue.com\/index.php?rest_route=\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/julesmccue.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/julesmccue.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/julesmccue.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/julesmccue.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2"}],"version-history":[{"count":98,"href":"http:\/\/julesmccue.com\/index.php?rest_route=\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":11928,"href":"http:\/\/julesmccue.com\/index.php?rest_route=\/wp\/v2\/pages\/2\/revisions\/11928"}],"wp:attachment":[{"href":"http:\/\/julesmccue.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}